running a label with the ambition to push new and unique voices isn t always an easy task. while finding new artists is about as hard as finding a black t-shirt in berlin, most budding artists seem pressured to conform or mimic the already established, only to be heard. performing under the artist name bleie, oakland resident sarah bly is not one of them. originally hailing from seattle, she indeed works with the mortar of techno form, but uses different bricks altogether. it s a hard sound to articulate, at first, it s almost alienating to ears worn by years in dark clubs. its mercurial, yet still surprisingly club compatible nature makes it an aural tiger balm – it burns and soothes at once. this compositional depth is perhaps a result of bleie s background as a trained pianist and violinist, by which she transmutes the commonly associated tropes of the genre. bleie lets the elements rule over the form, giving the tracks a morphing and unpredictable feel. obviously we were instantly intrigued when stumbling across her music, and now extremely proud to present her vinyl debut certainty is only a feeling . four tracks of unique techno so brimfully suggestive that it s nearly peerless. we can t imagine this leaving anyone unaffected.

remastered re-issue on heavyweight double vinyl of this legendary 1982 album by the stranglers. contains 4 exclusive bonus tracks.

it was a free mixtape download in 2008, but this is the first time it has been available as physical release and the first time the instrumentals (on disc 2) have been available period. produced by nick speed, except *head* produced by quelle chris and *lets go* produced by danny brown / featuring rapper big pooh, marv won, chips d nero, o-dash and others. the double 12 inch lp comes in gatefold sleeve with an exclusive 7 inch.

the super sounds of the seventies is a selection of seminal and sometimes wacky hits by artists such as stealers wheel, harry nilsson and joe tex. the movie also raised public interest in the dutch band george baker selection, due to the use of his “little green bag” in the film’s opening titles.
keep on truckin !
limited 25th anniversary edition pressing of 3.000 numbered copies on ear bleeding red 180 gram vinyl.

jazz edits, on welfare!

hip hop classics from ll cool j 1985

while still popping up on the likes of delusions of grandeur and mister saturday night, nebraska has been lately channeling much of his energy into his emergent friends & relations label as a vessel for his own productions. this third installment on the label kicks off with the warm, honey-coated chords of rien ne vas plus, which rides on an easy groove and lets the keys sing out in a hazy summer reverie. the version follows suit with a similar disposition, while both takes on dont you know on the b side deal in a common goal to gently coax all kinds of woozy soul sounds through a laid back house framework.

ltd 2017 repress - francis inferno orchestra ist das projekt von griffin james, einem jungen und talentierten dj und produzenten aus dem australischen melbourne. auf sich aufmerksam machte er bereits mit maxis, die auf labels wie lets play house und wolf music erschienen sind. die vier tracks hier bewegen sich zwischen dem moodymannschen mpc-house und mehr an techno angelehnten tracks. definitiv keine ware von der stange und eines der ganz großen highlights im katalog des zuericher labels drumpoet community.

after making his debut as part of duo klubbhuset on lets play house, artur brandstrom initiates his solo run under the alias ari bald. the moonshiner ep is a disco house record in full, with heavy sampling beefed up by club-ready drums laced with 909s

mute veröffentlicht zum release des sechsten albums >wixiw< des new yorker indie/experimental trios liars die beiden alben >drums not dead< und >they were wrong so we drowned< neu auf 180 gramm vinyl.
kurz nach dem release ihres hochgelobten zweitlings >they were wrong so we drowned< zog die band nach berlin um dort das 2006er album >drums not dead< aufzunehmen, ein weiteres konzeptalbum das mindestens genauso surreal klingt wie sein vorgänger. kurz nach der veröffentlichung erreichte >drums not dead< platz 6 auf pitchforks jahres-album-top-50.

tina turners multi-platinum global hit album from 1984 back on heavyweight 180 gram vinyl.

the pop world lost one of the most important soul singers ever to grace the world on 1st april 1984. marvin gaye has left behind a series of fantastic hits plus a big handful of tracks which deserve the title of masterpiece, all collected on this album.
pressing on black 180 gram vinyl, housed in a gatefold sleeve including 4 page booklet with liner notes and photos.

legacy recordings veröffentlicht unter dem titel a boy from tupelo: the sun masters ein 12- vinyl album, mit dem sich der weg elvis presleys zum king of rock and roll nachvollziehen lässt. es versammelt alle a- und b-seiten, die elvis für sun records einspielte sowie weitere im sun studio mitgeschnittene songs, die auf seinem bahnbrechenden debüt aus dem jahr 1965 zu hören sind. die songs wurden von sam phillips produziert und stammen aus der zeit zwischen juli 1954 und juli 1955. begleitet wird elvis natürlich von seinen unvergessenen mitstreitern, dem gitarristen scotty moore und dem bassisten bill black.

exzellenter sampler mit 16 massiven tracks aus der belgischen popcorn-Ära rund um den gleichnamigen club in vrasene (flandern) und seinem dj gilbert govaert. opener ist die vielgesuchte top-rarität “keelin kinda lonesome” von willie j charles, während die tunes von ki ki page und chance halladay hier zum ersten mal auf vinyl wiederveröffentlicht werden! ein schmuckstück für soul/r&b-vinylsammler.

nice price deal !!! some serious disco funk heat coming all the way from the pacific northwest on this blazer from beat freeze and tj gorton. >club cabana< is a hot percussive workout that flawlessly mixes old and new school vibes, with chunky drums, a sick bassline and cool synth washes getting the dancefloor all hot and bothered. you definitely wouldnt be wrong to find this one in a dj t or prins thomas set. on the flip sfs anthony mansfield lets loose with his own remix that houses the proceedings up a bit with some cool synths and cut-up vocal samples. excellent stuff from these new-school disconauts

nice price deal !!! after the >vibration ep< lars brede aka stashrider is back on frisbee with a up to date mix of the 80s classic >lets dance< and a fresh percussive pumping flipside..

sfsb recordings welcome mr hot mood to the stable for our second release, following his previous releases on tugboat edits, editorial, masterworks, deep sense an whiskey pickle records. side a s lets get it and lost soul head toward the deeper side of mexico s finest, with -let s get it- looping itself into an underground frenzy before releasing the crowd into a classic 1970s chant and them throwing them over to a killer organ hook, a must for 4am. -lost soul- takes you even deeper in to the realms of 70 s soul, bringing it into the 21 century with its beefed up lick - i wanna hold on, and let my love grow strong-, reminiscent of the original mark e working that helped start the movement. side b ôthe g groove- proves to be another early set summer anthem, completely heads down whenever it gets played, while -keep on dancing- does exactly what it says on the tin. the hardest track of the ep is left till last, with its -keep on dancing- call to arms for the dance floor reinforced by a destructible sax loop, it should be called martini, anytime anyplace anywhere. these tracks definitely reflect the sounds of south beach, produced with love by hotmood, curated by south beach recycling. dj support: session victim, sleazy beats, art of tones, dave allison, 80s child, disco tech, black loops,78 edits, homero espinoza, martin hayes, dj moar, coeo, osmose

classic alert! jamwax teams up with happy milf records to release ‘you are mine’, the nigerian boogie funk gem album from hotline group, recorded at decca studio (lagos) in 1986. the album comes with liner notes and exclusive photos from hotline s personal collection.

folamour represents the present and future sounds of the disco/house hybrid, staying true to the glitterbox sonic philosophy. his tracks share the same production values as the timeless records from classic disco imprints in the late 70s, melodies are super-tightly harmonised, instrumentation is lively and the rhythms are designed purely for dance. ‘the power and the blessing of unity’ is almost a mini album, exploring all the facets of folamour’s sophisticated house and disco tendencies. the title track sparkles with brass stabs and a textbook swinging disco beat, ‘island of recent father’ breaks things down into synthy house goodness, ‘let’s grab some smokes’ channels a more contemporary low-fi sound and bringing it home with ‘home beyond the clouds’, folamour closes with uplifting house hooks and percussion. it’s a real trip.

axter and barnett, creators and founding members of four313, now have a second four313 release and this time out the dynamic duo unleashes a well-rounded, four track vinyl ep. side a has two songs produced by blake baxter with a1 being a detroit house styled tune titled “agape”, featuring blake s classic, soft-spoken word style. a2 is a party starter, big room, dance-floor filler appropriately titled “let s get it started”. side b has two tracks produced by thomas barnett with b1 aptly titled -mandela effect”, this is a detroit techno styled track with barnett s signature bassline sound. b2 is titled “magnetofunk” & has a vintage feel that uniquely transforms into a modern day, prime-time groove, a must have for djs. blake and thomas are setting their sights on touring as the dj unit -four313- in the fall of 2017 with the theme & tour name, “reconstruction”. their concept is one which supports new artists and incorporates them into future four313 releases, four313 s purpose is to come together as artists, to reconstruct their past, present, and future while building a new beginning.

the broken glass is a work conceived and produced between austria and spain and represents the eleventh reference of the catalogue of stoerung label. in this collaboration field recordings and synthesis processed by asferico create cyclical and hypnotic structures, which mia zabelka furnishes with her violin and voice. the lp version consists of two versions of the piece, the first more minimalist and conceptual and the second more rhythmical and synthesizer based. through a display of distorted and isolated sounds, we are driven in the first version into an deep listening, as if sounds where placed under a microscope or we were contemplating them through a telescope. this approach lets us perceive the bare physicality of sounds in a way which enables us to grasp subtleties and aspects of sound which we are not used to. the second version continues where the first version left us, but in this piece, we are eventually flooded by hypnotic loops, white noise and synthesis and the experience has a different flavor. now what we have acquired through the first version, the enhancement of our listening and appreciation of subtleties of sounds, is inserted into a rhythmical structure which acts as a strong current, pulling us inside an ocean full of astonishing sounds.

classic funk tunes from prince aka symbol

180gr pressing, incl boys dont cry, friday im in love & lullaby !

180gr vinyl

nice price deal !!! der kalifornische songwriter huldigt seinen helden mit gefühlvollen coverversionen.
inklusive code für freien mp3-download.

terrace trips is presenting their first release by anatol. terrace is a minimalistic positive house cut with some trippy synths which lets you fade away. james dexter (inermu/poker flat) comes up with a percussive and intelligent remix which always brings the crowd forward with his multiple kicks. samu rodriguez (serkal), moves the track in a more technoid direction and changes the mood to a darker atmosphere.

classic alert! ltd 180g lp in tip-on sleeve
a very rare lp originally released in 1983 has made its way to soundway and been mastered with the utmost care. the only known recorded album by the band, it also features the track “fella’s doing it in lagos” which was included on and inspired the name for soundway’s hit compilation in 2016. band members: austing d. ilukhor, charles chiagoro, geofrey ochiagha, hawly adeyefa jnr, klesye edward doja, shola damole, stanley ifejoku.

much has happened since stereofysh released their debut album - the race , which has been received very positively by music critics. groove magazin described the album - fresh as a daisy , and - simply congenial , faze magazine as - made with love and - excellent result , freshguide found that the album - held the spirits high and set the bar even higher . features in intro and missy followed. dasfilter wrote: - stereofysh lets the elements melt into dreamy poppy house, that unfolds is magic as much on the dance floor than it does when hanging out at the next river bank. two years later, the latest output of the family band is available in the stores. their second album is a very personal one. the sound of the album is not only inspired by their life in berlin, but also their tour through the united states and hawaii, where they introduced the album to an international audience. important to know that the name of their new album, ohana, is an essential part of the hawaiian culture representing the importance of family and friendship connections, the company and coherence over generations. stereofysh themselves describe that the album has lead them to their musical and familial roots in a very special way. being on tour together, the shared experiences onstage and backstage have brought them closer together. this also shows in the music and lyrics of the ohana album: towards more closure, even intimacy. so the songs have gotten both, more exuberant and more melancholic. little daily life stories have their spot, so do the bigger puzzles that keep the band s minds busy. the optimistic and hopeful message, that the band radiates in spite of it, is, again, truly refreshing.

big dj support: tom ravenscroft, lauren laverne, gilles peterson, bonobo, four tet, jamie cullum

“god loves detroit” is terrence parker’s new album due for release june 30th on planet e communications (detroit). this new album features tp collaborations with coco street, and additional projects with merachka (who co-produced, co-wrote, and sings on the first single entitled “don’t waste another minute” which also features a remix by london’s as i am) released in february 2016.

the dna of purple rain can be felt throughout pop culture at large. it is a timeless body of work with an immortal resonance exemplified by smashes such as “let’s go crazy,” “when doves cry,” “darling nikki,” the title track “purple rain” and more. minted diamond by the riaa for sales exceeding 13 million, the record stands out as the sixth best-selling soundtrack album in history, moving more than 22 million copies. hailed by vanity fair as “the best soundtrack of all time,” time magazine placed it as the 15th greatest album ever. the album won two 1985 grammy awards® in the categories of “best rock vocal performance by a duo or group with vocal” and “best album of original score written for a motion picture or television special.” posthumously, it was honored as “favorite soundtrack” at the 2016 american music awards. it was also recently nominated for a 2017 billboard music award in the category of “top soundtrack/cast album.”

2015 paisley park remaster overseen by prince. pressing on 180 gram vinyl, housed in original 1984 packaging with poster included.

we hit you with the second single from jimpsters acclaimedsilent stars lp loaded with the good stuff! the album has received much love from djs and critics alike and its clear that after 25 years in the business jamie odell retains his reputation as one of the most talented and consistent electronic artists in the uk. as a&r and dj he also boasts a fine ear for emerging talent and here he hands over the reigns to two hotly tipped producers to rework his originals. first up we have the incredible peggy gou who takes on the sun comes up ft. jinadu.her speedy rise through the ranks over the past 12 months has been down to just a handful of brilliant eps on rekids and phonica and her skills as a club dj. the berlin based korean sits somewhere between detroit, london and berlin in sound and her dj sets are an assured, kinetic combination of dark, pulsing house and techno, broken beats and abstract compositions. her influences shine through on her remix which goes deep and musical whilst retaining an energetic drive for the dancefloor. perhaps the most mesmerizing, floor-focused track from the lp is up next, silent stars. an electronic tribal dance which builds to a speaker-wobbling sub-bass breakdown and wonderful chord section at the climax. next, a remix from west coast native urulu who came to jimpsters attention through his releases on lets play house, dirt crew and his own amadeus label. trying to describe his remix of where you areft. khalil anthony is no easy task, fusing elements of techno, broken beat and afro house, but check it out and if you can think of a suitable new sub genre to pigeonhole it with, let us know. closing the release we have the slow-burning, balearic-tinged beauty known as the sun comes up featuring jinadu on vocals. this is one to drop in the warm after-glow of a crazy night under the stars when tired legs and happy hearts crave a soulful groove to give them one last lift.

invada veröffentlicht den score zur britischen independent-horror-komödie prevenge. toydrum sind pablo clements und james griffith, die unter anderem auch bei unkle tätig sind. zudem haben sie mehrere soundtracks produziert, darunter für die tv-serie this is england von shane meadows. prevenge erinnert stilistisch an den film sightseers von ben wheatley, horror und britische comedy kommen hier ideal zusammen. Ähnlichkeiten sind nicht zufällig: die filme teilen sich die hauptdarstellerin und den drehbuchautor. der score von toydrum ist düster, elektronisch und passt ideal zu invada.

nice price deal !!! three tracker from spanish producer victor magan. allready working on the dancefloors in ibiza.. limited edition !!

gary caruths sad city project has progressively attracted ever more praise, not least since his shapes in formation album landed last year. straddling purest ambient and abstract rhythmical electronica with a unique approach that is all his own, caruth is returning to emotional rescue with a 10inch that revisits three of the tracks from shapes in formation and magnifies them as the longer form versions they originally were. music removed was a particularly strong track on the album, and this new extended version lets the pneumatic percussion and soulful vocal croon bleed together in the most captivating of ways. patterns sounds even more elegant in its pagan ambient finery with a longer run time, and vexillations flits between poised static and cascading chimes with the deft touch that has come to define the sad city sound.

bobby hammiltons band anibus only managed to released this single extremely collectable deep spiritual funk 45, the single didn t gain the movement they hopes and the bands went their separate ways leaving this one amazing 7 inch reproduced here. bobby is still alive and well so lets put things right and get things right and get this record on the turntable, a truly classy, deep and mindful 45.

material grows bigger with another addition on the x series, played by jamie and mihalis.

2017 re:issue ,keys of life continues with its series of releases paying tribute to the sound of acid house, which was spawned in the 1980s chicago when such as inventors as phuture and dj pierre discovered the squelching and mind-expanding sounds of roland s tb-303 bass synthesizer, the invention which eventually had serious repercussions in dance music culture all over the world. tin man a.k.a. johannes auvinen is of finnish descent, having lived all his life in los angeles

takeshi fukushima aka takecha, gwm is one of the most important artist in 90s japanese house music scene. this ep was originally pressed only 100 in 1995 by his own gwm label. gwm is most known as the label where soichi terada had releases.

much needed re-issue, on expansions, of retta young s rare 1976 soul/disco album young and restless . includes the amazing down tempo really really and disco anthem my love is on his way amongst other great tracks.

2017 repress , just in time for summer, andrés aka dj dez hits back with three perfect house cuts. the andrés formula is fairly simple, grab a sample, flip it, add warm basslines and drums. thing is, nobody does it quite like dez. the title track here is a soulful rave-up spinning on an indelible vocal chop and vamping pianos. -chevy status- is true to its name, a chugging mid-tempo hip-hop/house tune perfect for rolling down woodward avenue, or if you like, a street in your town. -pluck away,- meanwhile, takes some jangling, tropicalia guitars and lets them ride into the sunset, closing out a near perfect record which only builds anticipation for the detroit man s fourth full-length, andres iv.

modeight records is back with a new ep. this pack includes three tracks produced by romanian talent dragutesku. after two successful releases he continues to amaze with spaced out minimal tunes. pumping a1 “faraon” holds us tight with a massive bassline and misty mood. then there is the atmospheric “hipnotic” flys on a2. ethereal and rhythmic “apatic” on the b side lets no one leave the dancefloor.

the lifesaver 3 compilation, the yet most comprehensive package of the lifesaver history, sounds like electro, sharp-edged like the vault in a hague bunker (lauer), provides data pop with piano crescendo (fort romeau), brings the style characteristics of german schlager music to the breakdance mat (rolande garros), lets the bulky lily-of-the-valley bells clang and sends the reverb tails away with the wind (benedikt frey). there are several new names to discover: felix strahd, benjamin milz, vincent feit, and of course there a many old acquaintances: massimiliano pagliara, orson wells, tcb, chinaski. roman flügel brings us “good news”, however: “from another planet.” and fort romeau feels “lost, again”, but in such somnambulistically beautiful manner that you want to get lost with him instantly and jointly find the great joy.

tangram presents the second installment of ltgl’s limited 7” series for record store day 2017. this one features a brand new track by ltgl, called scribble. he’s been playing the song live in the past year(s), featured it in his boiler room set and it has become a sought after gem.

croatian producer el nino andres is steadily building up an impressive arsenal of disco and deep house heaters on his own jackie brown label, having previously been running the hija de colombia imprint. on this fourth slab he pushes his sound into even more intriguing places. opening track slow mo tuesdays lets things roll out on a decidedly dusty tip carried by off-kilter drums. riviera blues stands out thanks to its tough 80s-styled drums and warm soulful melodics. low end massacre meanwhile gets choppy in the edit and makes a devilishly good job of riding the samples.

this is cómeme bringing more hot rhythms to the dancefloors of 2017 and beyond – this time starring charlotte bendiks from tromso, norway with her smashing and generous ep: hidden tracks – the first comeme ep produced north of the polar circle! charlie is a spaced out chica doing dark humour techno hotness - scared and attracted by encounters with ghosts and ghouls, lost souls, insomnia and aurora borealis frenzy – these mystical experiences drive her to do her own take on physical dancefloor pleasure and pain, spinning records or playing live alongside jon-eirik boska, who also features on this 12inch. lets dive into a parallel world of gothic ukuleles, isolated villages and their myths, juvenile silliness and arctic deepness.